Wednesday, September 15, 2010


‘It is in such supreme moments that growth is the greatest.  It comes as with a vast surge, this feeling of strength and sufficiency. We may still tremble, the fear of doing wretchedly may linger, but we grow. Flashes of inspiration come to guide the soul. In nature there is no outside. When we are cast from a group or a condition we have still the companionship of all that is. Nature is not ungenerous. Its winds and stars are fellows with you. Let the soul be but gentle and receptive, and this vast truth will come home- not in set phrases, perhaps, but as a feeling, a comfort, which, after all, is the last essence of knowledge.’

- T.Dreiser


Wednesday, September 8, 2010

‘It is true, we suffer less from love, and I deplore it. I never forget those fine lines which Byron puts into the mouth of one of his heroes, making him say that god would be wretched in his place, since a god could not suffer or die for the woman he loved.’

- A.France

liaise v.i.  establish and maintain contact; co-operate.  Liaison, n.  communication, contact and co-operation; illicit sexual relationship; thickening agent for soups and sauces; pronunciation of normally silent final consonant before word beginning with a vowel.
delectus n. chrestomathy.
peduncle n. flower stalk; stem.
sculpsit (Latin) ‘carved (it)’; engraved (it)’.
"In a world like this one, it's difficult to devote oneself to art body and soul. To get published, to get exhibited, to get produced often requires ten or twenty years of patient, intense labor. I spent half my life at it! And how do you survive during all that time? Beg? Live off other people until you're successful? What a dog's life! I know something about that! You're always recognized too late. And today, it's no longer enough to have talent, originality, to write a good or beautiful book. One must be inspired! Not only touch the public but create one's own public. Otherwise, you're headed straight for suicide."

- H. Miller
‘If we were expected to love all the people we find attractive, life would be pretty ghastly, wouldn’t it?’

- M.Proust.
I grew heavy with breath beneath the valance of her breast,
Heavy and wide, unburdened of a shore I became full.
On a dead and dying July foul and coarse
The distant dissonance of a young moon mixed
With puerile thoughts upon the ménage of soft hands,
The coarse coat of her furless fur distends,
And land is land, died and dying land…

Over how many tables did our conversation grow stale?

Upon mendacious eyes and unbalanced hallways
As unheard footsteps littered clothes littered with riposte
To turn and to ask if only you would have
As I sat and watched drywall mold
Times when silence was not enough
When this autumn oak held together an uniformed frown
And the children of now are awake in a dream
I would never want to be awake in…
Days of wonder to wonder unafraid of the morning
As fall tongues fall and meet over flakes of gold and cream
And dust is just an idea of a morning, afternoon, or night
Burdened by the weight of it are we not infallible
Under silk sheets have we not as thighs met hands
And hands met chests said and spared of disparity
Under the weather of a day which unwithered hours hung
As sepals in bloom waiting to be plucked
And I knew not of disappointment but made the appointment
To say for once it might have left
Yet disappoint is salient and even under lovelier days will it bloom.

-G.
‘It leaves out the great romance of construction…It leaves out all the affirmative and life sustaining force that in the greatest modernists is always interwoven with assault and revolt: the erotic joy, natural beauty and human tenderness in D.H. Lawrence, always locked in mortal embrace with his nihilistic rage and despair; the figures in Picasso’s Guernica, struggling to keep life itself alive even as they shriek their death; the triumphant last choruses of Coltrane’s A Love Supreme; Alyosha Karamazov, in the midst of chaos and anguish, kissing and embracing the earth; Molly Bloom bringing the archetypal modernist book to an end with “yes I said yes I will Yes.”’

- M.Berman

Tuesday, September 7, 2010

‘My fancy is a wall between myself and truth.  There is a world of the fancy into which I constantly plunge and out of which I seldom completely emerge.  I want every day to be absorbingly interesting and exciting to me and if it will not, I, with my fancy, try to make it so.  If you, a stranger, come into my presence there is a chance that for a moment I shall see you as you are but in another moment you will be lost.  You say something that starts my fancy working and I am off.  To-night perhaps I shall dream of you.  We will have fancied conversations.  My fancy will throw you into strange, noble- or perhaps even mean situations.  Now I have no scruples.  You are my rabbit and I am a hound pursuing you.  Even your physical being changes under the driving lash of my fancy.’

- S.Anderson


‘-A bed witnesses our birth and it witnesses our death; it is the ever-changing theater where the human species enacts, by turns, engaging dramas, ridiculous farces, and horrible tragedies.- It is a cradle decked with flowers;- it is love’s throne;- it is a sepulcher.’

- X.Maistre


‘Come now, my dear Celeste, surely it must be dull to live only at night, with an invalid.’

- C.Albaret

Friday, September 3, 2010


   ‘Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessed face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice’

- T.S.Eliot